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Art & Other Fictitious Imaginings
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 Nori and Gregor have always had a complex relationship, but after a 4-year absence, something compels them to reunite over dinner. What follows is a dynamic dialogue breaking down philosophy, art, love, and- most of all- the pain and possibility of second chances. Runtime: 1 hour. The Breadcrumbs widget will appear here on the published site.
 I don’t know what will happen after I die,
As the Earth keeps spinning around the sun, With some battles fought, and some victories won, But I hope all the gods come back. The dog-headed gods, the bird-headed gods, The gods of beauty, and those of flight, The chained-up gods, and the vegetable gods, Those of darkness, and those of light. The Breadcrumbs widget will appear here on the published site.
 Her manacles tensed as someone grabbed the chain and began to lead her out of the cell. She had lost track of the days she had been kept down here in the dark. Nothing but the pain and bleeding from her bound wrists reminding her that she was still alive. It was a wonder she had held on this long. Countless barely-touched food bowls covered the floor around her. The walls were covered in scratches and blood stains, remnants of her futile attempts to claw her way out. Nonetheless, she still lived, even if it was only as a shadow of what she once was. As the guard continued walking, she stumbled to her feet and out of the cell.
The Breadcrumbs widget will appear here on the published site.
The Breadcrumbs widget will appear here on the published site.
By Jack M. Freedman  Red state infiltrator
Orange skinned dictator Yellow-bellied legislator Green paper separator The Breadcrumbs widget will appear here on the published site.
 Artist Bio:
Mariana was born in a small town called Cascavel (Rattlesnake), in the state of Paraná, Brazil, in 1988. As a child, Mariana was interested in the manga art form from Japan, and her first works were an act of fun and expression of her interests. Later in life, as she moved to Curitiba, the capital of Paraná, she started to have more contact with fine art. There, she developed her skills and practiced mostly with charcoal, pen, and pencil. She has also worked as a digital illustrator since 2012. The Breadcrumbs widget will appear here on the published site.
The Breadcrumbs widget will appear here on the published site.
The Breadcrumbs widget will appear here on the published site.
By Kayo Shido  "Emotional Landscape 10," pastel, oil, ink, acrylic, tempera on mylar on wood panel, 2020, 36"x48" Artist StatementDeeply influenced by Carl Jung, I am interested in our unconscious mind. We store an incredible amount of data by perceiving with our five senses as images, thoughts, feelings, and sensations into the subconscious storage room. They sometimes emerge as an inspiration – I believe creativity exists in our subconscious mind. And there is said to be a deeper level of collective unconsciousness where we connect with other people on a subliminal level. I imagine having invisible rhizome nourished by memories, dreams, images, and ideas stored deep under the ground which is connecting with others to share emotion or beauty without boundaries.
Painting is for me is a journey to my rhizome, to discover how all my perceptions and experiences have blended in mind, and to how they can be extracted on the surface. |
