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I'm One of UsBy Mari Pack Shira Erlichman’s Odes to Lithium (Alice James Books) comes out September 2019. I’ve been waiting for it for years. I was diagnosed with Bipolar II Disorder in June 2016. This was after I’d move to New York without a job. Signed a lease with a man I’d met on a server. Gotten a tattoo in Chinatown and shaved off half my hair. After I’d cried under my bed repeating the word “monster.”After my best friend stopped talking to me. After I stood on the J train platform. Watching it come. As if all light had been sucked out of the sky with a vacuum. Hovering with the idea of throwing my body in front of it.
I heard Shira Erlichman perform some of her 730 odes to lithium – a reference to when she takes the pill, 7:30 twice a day – at the New York City Poetry Festival on Governor’s Island in July of that year. I was lying in the grass with a friend who braided what was left of my hair. My broken brain was learning to rewire itself with mood stabilizers and anti-depressants. It felt like I had done something wrong – ruined my life. My social worker had recommended I pursue an “aspirational” project to bring myself back to focus. I was writing down poems. Erlichman explains in her poem, “Pink Noise”— which she read on that July day in 2016 – that “in Spanish and Japanese the agent / of causality / is dropped, as in: “the vase broke itself,” rather than “John broke the vase.”” Thus, “I broke the brain” can become “the brain broke itself.” So while a dose of lithium –“from the Greek dosis, meaning gift” – can settle, even heal a broken brain, the breaking itself is faultless. “Pink Noise” ends with “after a show an audience member says to me “I just / wanted to introduce myself, I’m one of us.”” I’m one of us. How is it that becoming part of a community makes everything better? Erlichman didn’t know it at the time, but she and I were both “one of us.” And her work hit me through the heartstream. It was as if – as reads her poem “Beatrice” – I pulled “a flower / from her skull & / weave[d] it into mine.” Odes to Lithium is a selection of some of these 730 odes — and it’s glorious. From hallucinations to hospitalization to her first prescriptions (“the bad medicine”) to lithium (“Every morning and every / night I swallow your bitterness”) and living on her friend’s couch after “hospitaljail,” Odes traverses a landscape that is earnest, electric and hopeful. It is a lovesong to the drug that saved Erlichman from the “Cliff.” It wasn’t easy. “You kiss me awake & tuck me in,” she writes of lithium in “Unrequited Teacher.” “Instead of Darling, you whisper Mortal.” Lithium comes with a long list of side effects, from having to pee to memory loss and blurred vision. Erlichman tries several times to reduce it, “wanting to be “natural” – / tea tree milk, sprouted / cashews, bark deodorant/ “natural” only to be “lost in the snow.” In one of my favorite poems, “There Were Others,” Erlichman confesses to lithium that “When the SSRIs asked me to dance, I danced.” But they gave her years of her life back. “She “read books […] cooked meals.” She lived. Living is the thing. Difficult. Messy. Complicated. Harder for people with our illness. Impossible for Erlichman without lithium. Impossible too, I reckon, without poetry. You can order Odes to Lithium from Alice James Books.
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